The Queer Eye of Flannery O’Connor
Flannery O’Connor was not an American but a southern American. Moreover she was not an author but a woman author. Nor was she a Christian but a Catholic Christian in the land of the Mayflower and the ferociously anti-Catholic Klan. Indeed, I was wrong. She was not a woman author but a quite-possibly -queer woman author (as far as her limited romantic experience went). To this we might add ‘disabled’ (by lupus) if, in contemporary fashion, we wished to form an extended compound like ‘disabled-lesbian-female-southern-catholic-writer’. Of course, Flannery O’Connor was also white. This is one bit of sameness this heavily othered author seems to have clung to in spite of what may have been her better judgment. Her core ‘eye’ is that of a white southerner who regards both the racial attitudes of her ‘folk’ and their ‘negro’ victims with detached bemusement rather than outrage. This makes here a new kind of ‘other’ where a 21st century progressive readership is concerned for it seems to us